Let’s Talk Balance

Continuing on yesterday’s vein, let’s talk today about balance.

Balance, scale and proportion all work together to create a unified whole.

When you get these three right you have a space that is inviting.

from daily cup of couture

From the outside in, balance sets the tone. It doesn’t always have to be set by symmetry but it is easiest to see this way.

Here, balance is achieved through the repetition of shapes.

Here, we see it in the placement of windows and lamps:

Color can also be used

kelly moore

As can pattern:

notice how the repetition of the brown in the rug and sofa tie back to the brown in the painting and then the pop of citron pillows is just  enough off to pull that color to the other side of the room without “matching” the painting.

sketch42.blogpost

Here the orange chair balances a strong painting.

elle decor

Again, the blue chairs pull that color across the room.

We see balance in nature all the time.

And what about this  guy, can you imagine him with a random assortment of tail feathers. LOL

Textures also have to be balanced so be sure you have pleasing proportions of rough to smooth.

It’s not as easy as it looks is it?

If you would like to say, “That was fun!” at the end of your project contact me at

www.cindybarganier.com.

What’s Wrong With This Picture?

Despite out best intentions the traditional buildings that are being constructed today do

 not always feel ‘right’. They fail in the small details- the proportion of a window, or a

 badly –detailed door surround or in a short-sighted choice of material.

 For too long we have built for today with no thought about tomorrow and what would be

 timeless and sustainable. As my friend, Steve Mouzon, would say,  “We have not only

 failed to speak a common language – the

 language of classical architecture and design – we have failed to learn the language at all.”

 The same mistakes have been repeated so often that they are now thought of as correct.

 But just as the ear recognizes the error when subjects and verbs disagree, the eye

 recognizes error when rules of architecture and design are not followed.

Even if we can’t

 explain what is wrong we know “something” doesn’t ring true.

 I have to be very careful here not to use local examples and get myself in big trouble so I am borrowing from several other sources who are saying what I want to say but using pictures from other states. Thank you Lindsay Daniel.

DO ~ Heavy millwork (mouldings) around the window is used even with brick siding, and these mouldings give the appearance of 4 supporting columns and an architrave making this window proportionally correct as well as “feel” correct.

.

DON’T ~ The Brick here can not physically or visually hold up this shaped opening as in the historical method of structure.  Proportionally the flanking windows are too wide, there is no visual column support evident, and the lack of the Architrave (or beam) makes this all look false, like it might fall down soon.   It is also missing the elegance of the real form.

Or how about this…

Shutters too wide for window

shutters too skinny for window

Please tell me that I don’t even need to comment here!

Study historical buildings to get it right.

And my personal pet peeve ( I really would get in trouble if I used pictures here so use your imagination).

If you are building a 2,500 sf house set back 50 feet from the street PLEASE do not flank the drive with giant lions.

Love the lions but they are reserved for the 30,000 sf house with the half-mile driveway.

There are some great books out there on proportion and scale.

Buy one. Choose a building to analyze and begin to train your eye.

And if you would like to say, “That was fun!” at the end of your project contact me at

www.cindybarganier.com. 

Scale… It’s All In The Balance

Yesterday I shared with you my nail-biting about trying to make sure things were balancing with the new project.

To help you understand what I mean I thought I would share examples as I run across them

of  both the good and the bad.

It’s all about training the eye.

This chandelier looks as though it is crushing the table. It is way too big for this space and would make anyone sitting at the table quite uncomfortable.

 

This one is both physically and visually too small. A darker color would help but the room needs more weight.

This one is perfect.

 Can you sense your body relaxing when you look at this photo? Even if you don’t like the style you have to recognize the thought and care that went into the design.

Every color used has the same undertone so nothing jumps out at you. The light wood of the table echos that of the ceiling.  The symmetrically placed antiqued mirrors bring extra light into an otherwise fairly dark room while at the same time becoming an added layer/texture. The drapery fabric and rug introduce a lighter color balancing the dark and finally the use of two lanterns in a black finish perfectly fill the space above the table and repeat the color and material used to frame the mirrors.

This is a successful room.

Begin to analyze rooms or pictures of rooms in this way and you will soon start to understand why you are drawn to some and not to others.

If you need help finding balance in your rooms contact me at

www.cindybarganier.com.

 

Slowly, The Picture Comes Into Focus

I have been fretting and stewing and clapping and dancing a jig then fretting and stewing and…..

well, you get the picture,  all over finding the perfect starting point for the new Watercolor house.

You think you have it and then like a wave upon the sand it slips away from you.

Design, it sounds like it’s so simple but it’s really very complex-if it’s good that is.

The balance has to be right.

The proportions have to be right.

The undertones of the different colors must match on the value scale or it’s all wrong.

Ahhhh, but when you finally get it right it is pure bliss.

I’m getting there.

Stay tuned.